Strength of Character

I have not devoted much time to Wolfe in the last couple of years, but today’s post is about strength of character.

Strength of character was considered admirable post-war, as everyone’s lives had been touched by horror one way or another.  It was understood that one does not have to be nice to do something good, and that it was more important to stand up for your core beliefs than to be popular.

This appears to be a mystery to more recent generations.

When I fell in love with Wolfe

David Avocado Wolfe

many years ago, it was very much a choice.  His staff had been horrible to me, for no apparent reason, he, whilst fascinating, was fairly trivial and the stories about him were horrific at the time.  I was working very hard on a very heavy book, which I have since not continued with due to massive self-doubt, and I was at a loss to why I found him compelling at all.

However he was a productive muse, and I enjoyed our brief spats, and when all the horrible stuff started happening I could not understand why. The woman referring to herself as the Avocadess appeared to think there was some sort of heirarchy that I should be aware of, and as I live in a different continent I did not really understand why it was relevant at all.

So, rather than doing what most people do, getting offended by the poor treatment and carrying on being very serious and under the radar, I started to ponder how to react to the situation positively.

This led to years and years of self-evaluation, and a basically constant gouch on Wolfe, which has led so far to this website, 35 titles, constant development work and eventually I went to meet him.

I was effectively neutered, because I was so busy thinking about how I could be good enough to meet the challenge of Wolfe effectively that I no longer wanted to participate in a relationship with anyone else.

You could look on it that I was in a situation where I was getting nothing from the several relationships I had at the time, I was not in a position to move on because I was taking care of my mother, and if you were particularly negative, perhaps as a result of watching TV and telling yourself you were over the hill, you could say I had given up.  Nothing could be further from the truth.  I am in the fortunate position to be hit on regularly by men young enough to be my son, despite not being particularly beautiful, on the basis of unusual levels of vibrancy.

So, basically what I am getting to with this is – you always have a choice.  You can choose to wallow in your inadequacy, you can choose to hit out at other people, you can choose to be a small, nasty, self-serving individual, or you can choose to evaluate your behaviour, ignore other people and develop to the point where you are able to rise above disaster.

I chose, rather than doing what most otherwise intelligent people do and hating Wolfe and everything he stands for, to effectively fall in love with him for several years until I understood why.

And the reason?  Strength of character.  Wolfe has been through an awful lot, his background was not happy, he made a lot of mistakes, he has messed up far more times than you or I.  His material is often gathered rather than produced, and he has been in trouble several times.  And yet he still stands up and gets on with it.  He spreads information that people would not seek for themselves, and in my case he gave me the self-confidence to pursue a line of research I would otherwise have kept very much on the back burner.  I am now in the business myself.

That is not, however what I have to thank him for.  What I have to thank Wolfe for, is for very cleverly putting together his overall presentation to tell you that the bottom line is getting it out there.  What other people have to say about you is of absolutely no consequence whatsoever.

An author this morning tweeted at me that I had started a hate campaign against him.  This is because he wishes to imprison a gay man for hitting on him. This author lacks the grace or capacity for the generosity of spirit necessary for a happy life.

His followers are astonished that they have spammed my facebook page for several days, and got nowhere with persuading me that persecuting a gay fan is good because this author is very moderately popular with them.  The mean IQ is not high, needless to say.

Nobody has spammed him, and all I have done is simply disagree with him.

The reason I put this with the rest of the post?

Strength of character.  Get some.  Most of the time, the herd is wrong.

 

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Too much to do

I cannot take any more input at the moment, there is far too much to do.

There are many reasons why you do not want to live with an artist.

  1.  In my case, I take up a lot of space, and there is work going on everywhere at home, so I often wander off and do not return for an hour or more.
  2. I am always working, even when sleeping, so my mind is often not pointing at you.
  3. Nothing is more important than the workload, whether that is creating, writing or going to an actual job, so you are constantly fighting for attention.
  4. Seemingly random things are very important one day, and then forgotten entirely for weeks because of the focus.
  5. Whilst letting go of caring what other people think is highly desirable, it is not everyone’s cup of tea.  I often see even quite well regarded people who are still in the trap of caring what other people think of them, and I frankly feel sorry for them.
  6. Even I do not like everything that I do, and the reason for doing it is often not clear for a few years at a time.  This makes evaluation difficult.  For example, I particularly dislike Rebecca Brooks is fit for work, but it looks great in my kitchen because of the other items in the room and it is very handy.  It is unlikely to make sense that I will happily spend time and money on a piece that I hate throughout, but as I am often working on another idea that I need to practise on to clarify it, it is often unlikely that I can explain that. I really made that piece for my mother and she enjoyed it, so although I hate it, it is not going anywhere.
  7. When you are with a person who is in a constant state of self-development, you can feel that they will grow out of you, which again does not suit everyone.
  8. Not every artist focuses on people.  I have because that is what provokes emotion and the compulsion to make things, it is also very positive emotionally because even when disasters happen, you can use it for something else. That is alarming for prospective partners, some of whom would prefer that you be devastated by their bullshit.
  9. It is impossible to relax when you are constantly sparking off new ideas.  That is not easy to deal with, especially as every word gets used for something.
  10. Ego – writing and art are both ego-led activities.  Some people are more resilient than others.  I am pretty sure many of the people taking a pop at me recently would not withstand the regular negativity of other people that I have shrugged off.
  11. Not giving a shit about your appearance.  I am often covered in glue or resin, and I will forget about health for months if I am sufficiently entranced by what I am doing.  Little Shiva, for example, has made me rather fat because I haven’t lifted my head in 9 months.  Normally I will finish in 3 months and go and deal with things like breathing, but this period has been intense work.
  12. Crazy priorities.  It is very difficult to distract someone who only cares about work.

And then there are the inappropriate choices you make because of your wiring.  I did not end up liking Little Shiva as a person, for example, but he was a hugely productive error of judgement and I otherwise adored him.  I have no idea why he is still on the website, I am assuming it is to do with his rather distant home life, but I assume it is vanity or loneliness that keeps him checking up on progress.  He still has rather a long wait ahead.

It is most interesting when you meet people who are highly creative and who have had it battered out of them, either by a love of convention, or by personal shame, or by family stuff.  It clearly drives them quite crazy.  One chap I have encountered recently is beautifully turned out and drinks far too much, to the point of manipulating and judging other people, simply to numb his nerves.

What I am getting at with this is that your emotional state should not get the better of you in terms of behaviour.  Far better to use it for something useful, like developing your brain to deal with other problems.  It is quite incredible how beneficial working in 3 dimensions is for your writing, for example.

Anyway, I have some 2 dimensional business to take care off, so toodle pip.

 

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Cute Grumpy Dude

Ah well, them’s the breaks.  Cute Grumpy Dude is now so grumpy that I can’t talk to him.  He looks a bit like a Phil Collins fan anyway so am busy learning torturous lyrics.

Otherwise things going well. Am liking the Sikh vibe.

Ina

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Busy Day

Tomorrow is very busy indeed, but progress on the bean bag is looking good.

I don’t really have to think about the work I do, it usually just happens.  There are decisions to be made in the course of doing it, of course, but they don’t tend to require much effort either.  The work itself is very intense, but this is greatly aided if you are alone and listening to music.

Little Shiva is on my bedroom floor awaiting some attention before completing the waterproofing, after which I will be creating the outer shell.  Even without the shell, which weighs about 6 kilos before sealing, which will probably take another 10 or so, it is now hard to carry.

Little Shiva the person, despite what he did to me, whether it was intentional or not, needs to see this piece of work.  It is not so much of a case of my being devotional, or anything that direct.  Generally the pieces are channelled rather than thought through, and he was unusually in need of the statement.  How you regard this is a personal matter, I just felt it was a piece worth making. It is likely to become a key piece on the website.

The bean bag, whilst it uses many of the same techniques, is probably going to become something more solid than what you would associate with a bean bag.  I am wondering whether to give it a solid base, as it will be very solid and the exoskeleton is becoming very tense. This person is very creative and I would like to take this opportunity to engage him in thinking about something outside his normal day.

I will not have time for the studio over the next few days, as I have a lot of paperwork and other things to do, but there are at least three pieces down there that I would like to finish first.

Met another lovely person today, who invited me for tea.  I did not really answer this clearly, so should he stop by the website, yes I would be delighted but not on shift as the Haram Bawbag experience was not the best and I am wary of mixing work with visiting, if that makes any sense.

Still perfecting my public sewing routine, but I think it is developing rather well – at least I am happy.

Not sure why I am under investigation politically, but probably wasting your time.  Should my assistance be required, all you have to do is email. I would be more than happy to be asked and will gladly give up some time for my friend.

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And so ends another week…

This week has been good, a lot of downloads of Went to Woo a Porn Star for some reason, but never mind.  It is a nice story, I was a little bit annoyed at the crap formatting of the online version so if downloading it, please get an alternative format to the online reader.

So far, the direction of the new collection is most interesting.  I did a bit of surfing around to see the difference between Hindu and Sikh art and I was perked up a little by this. Little Shiva and Cute Grumpy Shoe Muse are rather perfect in terms of source in this case.

I work from very scanty information and in this case it has become something of a case of poison and antidote. Little Shiva is very glitzy and punchy, and the new stuff is subtle and technically more advanced, very much a metaphor for the respective religious art styles generally.

I am looking forward to seeing it all when it is finally complete.  I am currently working on a bean bag, although it will be significantly more structured than a traditional bean bag, and it is looking very promising as a concept piece to start the cushion collection.

Haven’t done too much with the shoes.  Did bump into shoe muse today and entirely forgot to ask him for clog information as I was working and/or pleased to see him. Hopefully he will drop by when the project is a little further on so I can discuss it further.

It would have been nice if Haram Bawbag had been a decent representation of Islamic art, but since living things cannot be depicted in Islam, the very premise of any of my work is actually Haram.  I’m leaning towards the original name for it now.

Hilariously, I captured the sight of an oil and dairy millionaire declaring that he was in support of the climate strike with a huge paper poster rendering of a tree of life in front of a window of Mac computers this week. This encapsulates just about everything wrong with our current society in one neat image.  I was unable to resist taking a photograph.

 

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September Progress

Little Shiva is still being coated and awaiting some carpet and the addition of the tongues once I have completed that part.  After this bit is done, whenever that is, the resin portion will start and will take several weeks.  The damaru base also needs work, and a tiled base is planned for the whole piece.

Haram Bawbag is at a standstill until I have time to go and work on it, there is a lot of sanding and varnishing to do before the glass is added.

Shoes and bags are progressing slowly as I am working on some new cushions, which I am making to establish a more subtle colour range.

I seem to have a major thing for small snappy, chatty dudes with beards and hats.  I had no idea.  I am not all that sad about it. This one seems to be colour sensitive, which probably means the shoes will be very interesting when I am happy with the shape.

Working very hard but at least I have time to sew.

Apart from that, launching a new range of products and website building, and a national company are thinking of allowing me to run a few sites. That would be a nice change, but not chicken counting and there is no way I will stop doing what I am currently doing regardless, as it is fun and keeps the sewing going.  Besides which, I like the people I work with in at least two jobs.

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Waterproofing Little Shiva

Well, it is the end of an era.  Little Shiva is now too big for the car and is being waterproofed.  I am sort of glad to be free of it on one hand, on the other I now have to work on the shoe and small handbag collection so it is just another kind of work.

I suppose I should clean out my mobile studio prior to commencement of a new project, as Little Shiva was very messy.

It now resembles a boat, and I will have to find somewhere to keep it that is secure and safe.

For the benefit of Little Shiva the person, so far you are a spectacular chair. Let us hope that you are not destroyed during the next phase of construction.

Nine months full time sewing is the longest I have ever worked on any single piece at once.  Although Raw Sex Object took a total of 7 years and represents four people, it was very slow and laid back and I was not in a hurry to complete it.  It is a pain in the neck and weighs about 40 kg at the last weighing.  Little Shiva is likely to be double that.

Little Shiva was a crazy decision, but a combination of grief for my mother and disbelief that anyone could be that nasty meant that this was the time to do it.

Now it is time to move on, and I will devote myself to my smaller pieces in an effort to get some work further afield.  I have a lot to do.

Haram Bawbag is still underway and will be the next large piece to finish, probably followed by Iain Duncan Smith prior to being anywhere near to completion of Little Shiva.

In the meantime, I will be thinking about lighting as this was a popular idea.

It is probably time I did some writing.

Ina

 

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Technical info on Two Grapes

Ok so I started with the miniscule black and white tiling, which took about three days.

Then came the veneerwork, which I was a bit rusty on so I thought I would be worse than I was – and I started with the grey one.  I did a lot better than expected, which is no use for kitsugi really (you need errors for kitsugi) but at least I feel a bit better about doing some more.  I then sanded and varnished the veneer about five times before I proceeded.

Next came the coloured paper, the celluloid, the hessian and the slate.  All of those were relatively simple jobs. The cameos on the brown one were original Victorian shell cameos and are all different.  You can see them on the orange paper run to the right.

On the left you can see I used some miniature Victorian perfume labels on the turquoise to the lower paper run.

I was very fortunate that a collector was selling a lot of very high quality dolls house stuff, so the musical instruments etc came from there.

The dude was very well dressed, so I got ebony glove stretchers and a button hook, several pocket watches and general ideas from that.

The tea sets are from very high end ceramic makers and would be very expensive were you to buy them new.

The little notes are 17th century Italian song titles because I happened to find some.

Otherwise the circles are harris tweed from my personal collection of swatches, I spent about two days embossing the metallic sections and then a couple of nights working on the decoupage and collectors postcard section.

Everything had to be varnished very carefully because of the risk to the leather from the finishing coats of resin.

To put into perspective how expensive a job like this can be, the ceramic black and white tiles alone cost about 40 quid as they are a specialist item.

Was it worth it?  Well we seem to have an optimal figure for leather varnishing, which is good and about 6 coats.  Basically the leather drinks everything you put on it, so you have to judge it by what it’s doing – I went too far with the grey one but hey, he’s an asshole so who cares? I also learned that work like this is a lot harder than it looks.

I used the signals he had given in the interiors to theme the piece.  As it turns out he is a twat, so this is probably all there is to him and he probably thinks I’m psychic rather than understanding that this is an answer to his own work on his coffee shops.

I will grudgingly admit that it was a good commercial image, but a complete waste of time and money due to his being a complete wanker. It is not like he is going to do anything basically decent like apologise. He will just sit about and look miserable until he forgets and tries to take the piss out of someone else.

Now thinking of offering to revamp someone else’s coffee shop just to poke him in the eye.

Anyway, it was intended for the bored children in his businesses so as a practical piece it is fine, but he has made it a waste of my time by being a dick.

Isn’t it interesting that I’m percieved as worthless and yet I’m the one giving the gift?

 

 

 

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The hazard of gift giving

Well the Ina Disguise train has derailed somewhat due to the unexpected rudeness of the last recipient, so I am wondering what to do next?

We have to ask ourselves why the muse fucks things up every single time. I have tried and tried to make it my fault, but from Little Shiva onwards, they have just been extremely crap people.

Little Shiva made sure I could never go back to contracting for ‘good and fun entertainment’ and because his boss allegedly fancied me and had no way of dealing with it.  I am very glad that I do not like big men, because making a mistake and trying to leave someone that is 7 feet tall and wide is not particularly easy.

Haram Bawbag really just wanted a tool to use to get his beloved ex back, so that was really just a three week friendship followed by endless demands for me to do what he told me and me saying no, really you should just obey the law and move on with your life.

Two Grapes guy seems to fall into the ‘she’s worthless’ category.  It appears to have amused him greatly to delibarately hit on me followed by having his terrified looking wife take my coffee order (she doesn’t look as if she has ever touched a coffee machine).

I am not terribly impressed.  I had some business to discuss, had the gift gone well, and this dude evidently has sufficient contacts.

He had looked miserable all year and I had said several times to Twisty that I wondered if I might make him happy.  Had he left me alone, it would have been a simple gift and introduction and presumably things would be relatively polite.  Instead he chose to embarrass me, got the shitty end of that stick and I do not now plan to speak to this person, far less buy his coffee ever again.

So not only has he lost a very happy customer, he has offended someone that wanted to make him some money and who was also very interested in him.

Two Grapes cost a great deal of money and time to make, and by the time I got to the end stages, I could not care less how it turned out.  This is neither good artistic practise, nor a good result for life generally.

I am not sure why Little Shiva assumed he was getting a gift, he certainly didn’t deserve one even before he destroyed my careful plans for last year.  Little Shiva is going to be an incredible piece of work though, and we have the happy thought that he cannot mess it up by actually speaking.

Haram Bawbag basically stole the piece of work midway through making it by his behaviour, and then still assumed he would be getting more.

This last guy, whilst he has not rejected the gift, now has an item that he does not want, that I couldn’t care less about and has lost a customer. Rather than send a grown up text and explain, he has seriously offended me and I am kind of annoyed.

Why do they have such difficulty with this?

It has a lot to do with self-image, culture and the way they perceive me.  Whilst I am not Megan Fox, or whomever is judged to be ravishing this week, I do seem to have some sort of primeval crude appeal.  Combined with the messy hair and predilection for men’s clothes, this seems to be a signal that they can treat me like utter shit, which they very quickly find out is not that easy. They then seek to inflict as much damage as they possibly can because I have no interest in sucking their dicks.

It is very simple, guys.  If you want to meet women that seek men for validation, do not go for someone who has never had to give a fuck how they looked.  Go for women that wear dresses, makeup, earrings and who probably don’t actually do very much.  That is your target market.

If someone is giving you a gift, try grace.  It took Wolfe a few years to discover grace, even after writing a book about it.  (which incidentally demonstrated that he had no idea what it was at the time.)

 

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